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bill evans interview

We both listened to these interviews so much that we memorized them. Important, I mean. But Miles had that ability to create a kind of simple figure, like on, , that still generates a complete and positive reference off of which you can play and still relate to something which is unique, see? And the rest of it is being professional and, certainly as professionals, you do reach a high degree of performance in the area that you’re trying to work, but those special times, you don’t know when they’re gonna happen, and, unfortunately, we don’t get too many of them on record. Please leave your comments here. I was still listening, though by now I had it memorized.’ His fascination with the recording led to his decision to put Evans on the cover of the, Evans would join Miles Davis’s band in April, 1958, replacing pianist Red Garland. It’s speaking from some levels of yourself that you’re not even aware of. Unfortunately, many of our best, yeah, performances are out there in the universe someplace, and you still as professionals have to go in at ten o’clock on Wednesday and make a record and hope that every few records you might catch a really good day. Problem is; nobody's listening to them.. Yes, true. He’s up there giving you his soul and you want him to do the acrobatics, stand on his head and what? My goal isn't performance, I … I sometimes wonder whether they really did. And actually, he is virtuosic, certainly, and in the best sense of the word. He was more or less withdrawn, plus sort of off to the side of the bandstand, sort of half, not fumbling exactly, but just sort of searching. It was sometime in the late ’90s when I interviewed jazz journalist Gene Lees, who was central in elevating the mystique and publicizing the artistry of the brilliant pianist. After catching a recent screening of the Miles Davis documentary. Ashley Kahn told me the interviewer was Bill Goldberg and that he was an MD in the Boston area. And he loved Blossom Dearie, who I love also. I was comparing jazz in general, or the jazz discipline, to that kind of thing because you can’t go back. : Oh, I first heard Miles on the very first records he made. Evans tucked himself away in the corner of the brain in such a way that it was as if life was one eternal cycle of springtime — renewal and rebirth. I have listened to Miles for 40 years and appreciated Bill for the last 10. You know. During this period Evans’s opportunities and focus on his own career would lead him to depart the group, then rejoin in early 1959 for the recording of Davis’s epic. It was sometime in the late ’90s when I interviewed jazz journalist Gene Lees, who was central in elevating the mystique and publicizing the artistry of the brilliant pianist. : Did he tell you any times about what he was looking for in his music, especially maybe in the late ’60s when he was…. "Insight, Candor, Observation, Discernment, Delineation, Style, Diligence, and Purpose:" What we strive to achieve on these pages. I think it’s all in the music anyhow. I think you just have to perceive it from what he’s playing and what he’s feeling and sense and know kind of where it’s at somehow. A Bill Evans Primer. Like, Freddie the Freeloader, So What, and All Blues, there was nothing written out on. so simple, but so beautiful, so perfect just to have the idea to do that. Two important notes: 1: there’s absolutely no commercial incentive involved here 2: the podcasts are a hundred percent non stop music, so no talking, jingles or add’s etc. Since 1996, while continuing to teach and play, Chase has also been NEC’s chair of jazz studies and improvisation (1996 to 2001); dean of faculty, supervising classroom curriculum including jazz and contemporary improvisation (2000 to 2006); co-chair and then chair of contemporary improvisation (2005 to 2008); acting chair of liberal arts (2007 to 2008); and Berklee’s chair of ear training (2008 to present). I think Miles’s blues solo on that track is one of my favorite solos of his. Bill King is a jazz columnist and co-host of Soul Nation on JAZZ.FM91. Here's another   JazzProfiles  editorial staff  effort to bring separate postings, in this case, the eleven chapters of Bob Gordon'... © -Steven Cerra, copyright protected; all rights reserved. : Well, that’s a simple way to say it. Bill Evans: Interview 1; Back to Interviews Next . It seemed like, the intensity, that he, his leadership on stage was so phenomenal, it was subtle but so strong, that it didn’t seem like it could be captured on record. Includes: Alice in Wonderland • Autumn Leaves • Bill's Hit Tune • Blue in Green • Days of Wine and Roses • Emily • Everything Happens to Me • Five • For Nenette • How About You? Interview Three: The Bill Evans Trio Pt. I think there was a point, in my own opinion, where he made a turn, reaching for a large audience, I don’t know, or what, with the bands, and I have often wanted to speak to Miles about that period and find out how he felt about it, what he thought he possibly had developed or learned or whether that was a direction he’d like to go farther in or what.

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